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These Are Situationist Times
–Exhibition
–Online Interface
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Publications


These Are Situationist Times!

Marianne Hurum: Krabbe

Liv Bugge: To accept theirs, to make it mine, to wish it for myself

Concrete Oslo

Ane Hjort Guttu:
Tekster, samtaler, manus


Dora Garcia: Segunda Vez – How Masotta was Repeated

Dora Garcia: Oscar Masotta – Segunda Vez, Cahier No. 1 and 2


Aktuell #1 Azar Alsharif

Lina Viste Grønli: LIBRARY

Guðrún Benónýsdóttir: 
lawlessness of dreams
colour palette


Ingrid Torvund:
When I Go Out I Bleed Magic


Benjamin A. Huseby:
Weeds & Aliens
An Unnatural History of Plants


Modelling Time: The Permanent Collection 1925-2014


Valentinas Klimašauskas: 
B and/or an Exhibithion Guide In Search of Its Exhibition


Matthew Rana:
The Theory of the Square


Eline McGeorge:
With the Free Rider into the oil age and beyond


FRANK:

Volupså & Postscript


Sebastian Makonnen Kjølaas: The Institute of Art and Crime


In Dependence –Collaborations and Artists´Initiatives


Bodil Furu:
The Aesthetics of Investigation


Jon Benjamin Tallerås and Ruben Steinum: Casual Maneuver – A Step Away From It


Geir Haraldseth: 

Great! I’ve written something stupid but I haven’t signed a contract with anyone to produce solely wise and perfect works


Marianne Hurum:
STRETCHERS


Mai Hofstad Gunnes:
Baby Snakes Hatching. Ruins. Ruins


Karl Larsson:
Poetical Assumption


Liv Bugge: You Make Me Want To Die In The Country Side –
A meditation on Heart of Darkness by Joseph Conrad


Marius Engh:
An Aggregation of Adversary


KARAVANE:
Kjartan Slettemark,Nixon Visions
Victor Lind, Monument

Fluxus

Hito Steyerl

Dan-Ola Persson:
Music for the Videos of Lars Laumann

Favoured Nations:
Momentum 5th Nordic Biennial of Contemporary Art


Steinar Haga Kristensen: Retrospective: On the Un-Subjectified Persona


Espen Dietrichson:
Sketches For A Mechanical Sunrise


Håkon Bleken:
tekster i utvalg (1964–2008)


Eivind Slettemeås:

Kunst og prekaritet


Kjersti G. Andvig:
No one here is Innocent


A Fiesta of Tough Choices: Contemporary Art in the Wake of Cultural Policies


The New Administration of Aasthetics


What Does Public Mean?
Art as a Participant in the Public Arena










Mark

The New Administration of Aasthetics
Out of Print

The New Administration of Aesthetics is an anthology that continues from the different contributions at the conference with the same name, held in Oslo in April 2006. Like the
conference, this book pose questions about recent changes in the art institution, and how this affect those involved. New institutional models and organizational methods seem to have the effect of polarisation rather than coherence. The “art institution” understood in singular as an assemblage 
of the artists, curators, art critics, theoreticans, historians and their related museums, galleries and educational institutions, seems no longer to offer an adequate ground for analysis, and has already been replaced by other forms of alliances. Currently, pragmatic, short- or long-term identifications take place in the art scene contrary to old oppositions, something which demands a change in conceptual framework and hermeneutic horizons.

Eds. Tone Hansen and Trude Iversen


Contributors: Gerald Raunig, Stian Grøgaard, Tone Hansen, 
Carey Young, Craig Buckley, Adriana Kuiper, 16 Beaver
Group, Brian Holmes, Maria Lind and Alex Farquharson.

Design by Lina viste Grønli
Torpedo Press 2007