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These Are Situationist Times
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Postnordisk - Den nordiske kunstscenens vekst og fall 1976-2016

These Are Situationist Times!

Marianne Hurum: Krabbe

Liv Bugge: To accept theirs, to make it mine, to wish it for myself

Concrete Oslo

Ane Hjort Guttu:
Tekster, samtaler, manus

Dora Garcia: Segunda Vez – How Masotta was Repeated

Dora Garcia: Oscar Masotta – Segunda Vez, Cahier No. 1 and 2

Aktuell #1 Azar Alsharif

Lina Viste Grønli: LIBRARY

Guðrún Benónýsdóttir: 
lawlessness of dreams
colour palette

Ingrid Torvund:
When I Go Out I Bleed Magic

Benjamin A. Huseby:
Weeds & Aliens
An Unnatural History of Plants

Modelling Time: The Permanent Collection 1925-2014

Valentinas Klimašauskas: 
B and/or an Exhibithion Guide In Search of Its Exhibition

Matthew Rana:
The Theory of the Square

Eline McGeorge:
With the Free Rider into the oil age and beyond


Volupså & Postscript

Sebastian Makonnen Kjølaas: The Institute of Art and Crime

In Dependence –Collaborations and Artists´Initiatives

Bodil Furu:
The Aesthetics of Investigation

Jon Benjamin Tallerås and Ruben Steinum: Casual Maneuver – A Step Away From It

Geir Haraldseth: 

Great! I’ve written something stupid but I haven’t signed a contract with anyone to produce solely wise and perfect works

Marianne Hurum:

Mai Hofstad Gunnes:
Baby Snakes Hatching. Ruins. Ruins

Karl Larsson:
Poetical Assumption

Liv Bugge: You Make Me Want To Die In The Country Side –
A meditation on Heart of Darkness by Joseph Conrad

Marius Engh:
An Aggregation of Adversary

Kjartan Slettemark,Nixon Visions
Victor Lind, Monument


Hito Steyerl

Dan-Ola Persson:
Music for the Videos of Lars Laumann

Favoured Nations:
Momentum 5th Nordic Biennial of Contemporary Art

Steinar Haga Kristensen: Retrospective: On the Un-Subjectified Persona

Espen Dietrichson:
Sketches For A Mechanical Sunrise

Håkon Bleken:
tekster i utvalg (1964–2008)

Eivind Slettemeås:

Kunst og prekaritet

Kjersti G. Andvig:
No one here is Innocent

A Fiesta of Tough Choices: Contemporary Art in the Wake of Cultural Policies

The New Administration of Aasthetics

What Does Public Mean?
Art as a Participant in the Public Arena


Kjersti G. Andvig
No one here is Innocent

NOK 300,-

In July 2006 Kjersti Andvig proposed to a Texas death row inmate, Carlton Turner, to reproduce, in a scale of one to one , the place of his incarceration in knitwear (!). Because of regulations forbidding any sharp objects inside of high security cells, Kjersti knitted the piece herself, following the inidications of Carlton (measures, drawings, slogans, colours..). His cell measured approximately 200 x 700 cm and 2.6 metre from the ceiling to the floor. The complete work was exhibited at the Triangle Museum in Marseille.Kjersti drew inspiration from the “Tricoteuses”, women who were knitting during the executions in the French Revolution. Dropping a stitch during every rolling head, these housewives established a strange relation between themselves and the soon-to-be executed.The book collects associations, correspondences and documentation of the project. It contains photos and texts primarily written by Turner himself. A text by the french philosopher Bastien Gallet is included, as well as an essay by the curator in Marseille, Dorothée Dupuis. The meeting and dialogue between Turner and Andvig appears strong, and the book touches upon great religious, political and moral questions related to life and death.

ISBN: 978-2-916545-64-6
Triangle France & Monografik Éditions 2008
Distributed by Torpedo Press