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These Are Situationist Times
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Publications


Postnordisk - Den nordiske kunstscenens vekst og fall 1976-2016

These Are Situationist Times!

Marianne Hurum: Krabbe

Liv Bugge: To accept theirs, to make it mine, to wish it for myself

Concrete Oslo

Ane Hjort Guttu:
Tekster, samtaler, manus


Dora Garcia: Segunda Vez – How Masotta was Repeated

Dora Garcia: Oscar Masotta – Segunda Vez, Cahier No. 1 and 2


Aktuell #1 Azar Alsharif

Lina Viste Grønli: LIBRARY

Guðrún Benónýsdóttir: 
lawlessness of dreams
colour palette


Ingrid Torvund:
When I Go Out I Bleed Magic


Benjamin A. Huseby:
Weeds & Aliens
An Unnatural History of Plants


Modelling Time: The Permanent Collection 1925-2014


Valentinas Klimašauskas: 
B and/or an Exhibithion Guide In Search of Its Exhibition


Matthew Rana:
The Theory of the Square


Eline McGeorge:
With the Free Rider into the oil age and beyond


FRANK:

Volupså & Postscript


Sebastian Makonnen Kjølaas: The Institute of Art and Crime


In Dependence –Collaborations and Artists´Initiatives


Bodil Furu:
The Aesthetics of Investigation


Jon Benjamin Tallerås and Ruben Steinum: Casual Maneuver – A Step Away From It


Geir Haraldseth: 

Great! I’ve written something stupid but I haven’t signed a contract with anyone to produce solely wise and perfect works


Marianne Hurum:
STRETCHERS


Mai Hofstad Gunnes:
Baby Snakes Hatching. Ruins. Ruins


Karl Larsson:
Poetical Assumption


Liv Bugge: You Make Me Want To Die In The Country Side –
A meditation on Heart of Darkness by Joseph Conrad


Marius Engh:
An Aggregation of Adversary


KARAVANE:
Kjartan Slettemark,Nixon Visions
Victor Lind, Monument

Fluxus

Hito Steyerl

Dan-Ola Persson:
Music for the Videos of Lars Laumann

Favoured Nations:
Momentum 5th Nordic Biennial of Contemporary Art


Steinar Haga Kristensen: Retrospective: On the Un-Subjectified Persona


Espen Dietrichson:
Sketches For A Mechanical Sunrise


Håkon Bleken:
tekster i utvalg (1964–2008)


Eivind Slettemeås:

Kunst og prekaritet


Kjersti G. Andvig:
No one here is Innocent


A Fiesta of Tough Choices: Contemporary Art in the Wake of Cultural Policies


The New Administration of Aasthetics


What Does Public Mean?
Art as a Participant in the Public Arena










Mark

Bodil Furu
The Aesthetics of Investigation
NOK 150,-

Over the past ten years, Bodil Furu has emerged as one of the most significant Norwegian video artists. She has developed an unmistakable visual language, embedded in documentary realism, and unites abiding humanistic questions with current concerns relating to globalisation and the increasing mediation of reality. Furu’s films touch upon social development and Norway’s changing relationship with the rest of the world – a relationship that is highlighted, for instance, by the global financial crisis, environmental issues, participation in foreign wars and the increasing use of migrant labour.Throughout her films, we meet people who reflect upon their role, identity and significance in the society of which they are a part, simultaneously linking matters of social and political complexity to personal and private issues, often in a surprisingly direct manner. This monograph contains new texts with different perspectives on the artist’s production, with a special focus on how the real – subjective conceptions of reality and fiction – is treated in her work. At the same time, this book attempts to visualise and contextualise Furu’s working methods and filmic language, who shares the visual anthropologist’s approach to the relationship between the documentarist and their object. Her working method consists of conducting participant observation over a long period of time; behind each film, there are often dozens of hours of interviews with, and footage of, the various contributors.

Eds. Helga Marie Nordby and Svein Ingvoll Pedersen

Texts by Thure Erik Lund, Fredrik Svensk, Tone Hansen, Madeleine Bernstorff, Svein Ingvoll Pedersen and Helga-Marie Nordby.

ISBN: 978-82-93104-09-4
Design: NODE Berlin Oslo
English/Norwegian
Torpedo Press 2012